It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “But what’s the difference,” demanded Joan, “between a man owning one paper with a circulation of, say, six millions; or owning six with a circulation of a million apiece? By concentrating all his energies on one, a man with Carleton’s organizing genius might easily establish a single journal that would cover the whole field.”!

Joan dined at a popular restaurant that evening. She fancied it might cheer her up. But the noisy patriotism of the over-fed crowd only irritated her. These elderly, flabby men, these fleshy women, who would form the spectators, who would loll on their cushioned seats protected from the sun, munching contentedly from their well-provided baskets while listening to the dying groans rising upwards from the drenched arena. She glanced from one podgy thumb to another and a feeling of nausea crept over her. “Wouldn’t that train of argument lead to nobody ever doing anything?” suggested Joan.

“I was just wondering,” she went on. “It was a pity, wasn’t it? I was silly and began to cry.” “You can’t do it,” she concluded, “unless you are prepared to keep half the world’s literature away from the children, scrap half your music, edit your museums and your picture galleries; bowdlerize your Old Testament and rewrite your histories. And then you’ll have to be careful for twenty-four hours a day that they never see a dog-fight.” “It always seemed to me immoral, the marriage ceremony,” the Human Document was explaining. She was a thin, sallow woman, with an untidy head and restless eyes that seemed to be always seeking something to look at and never finding it. “How can we pledge the future? To bind oneself to live with a man when perhaps we have ceased to care for him; it’s hideous.”